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	Search results for Latin    Refine your search Creator 7 () 5 () 5 () 5 () 4 () Show more... results 81-100 of 531 item(s)  page 5 of 27 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 81. [Bookplate for Edward Steane] This bookplate, in black ink, consists of a straight crest wreath, on top of which is a rock and eagle, wings addorsed and elevated. Below the crest is a banner containing the Latin motto. The image is bordered by a single line frame. 82. [Bookplate for J. E. Horvath by M. Trinque] This bookplate, in black ink on white paper with grey background portrays a man seated and thinking atop an architectural spiral. 83. [Bookplate for Winifred Baker] This bookplate, black ink on ivory paper, consists of a number of books standing up right on a flat surface. In front of the standing books is a book left open, and a candle stick with candle alight. From the candle's flame, light radiates out in all directions. Running along the left border are a series of vertical lines of varying widths, and along the right border are a series of ten small symbols. 84. [Bookplate for Ágoston Tamás-György and J. E. Horvath by K. M. S.] This bookplate uses some architectural features to create a grid with nine cells. The centre of the image has a panel with the ownership information. The top of this panel serves as the floor for two figures practicing fencing that are framed with an arch. This arch is supported on two square boxes at the top corners of the image. There is a flower vase on top and books inside each box. Similar boxes with apple branches mark the bottom corners. The spaces between these boxes are supported by columns that flank two sportive figures, a hockey player on the left and a hunter on the right. In the bottom central area a small row boat sits in water. 85. [Bookplate for Malcolm McGregor] This bookplate is rendered in the bright, vibrant red and green colours of the McGregor tartan. Outlined in black, the text stands out from the tartan in thick, white, block letters. Beneath the text is a green thistle. 86. [Bookplate by W. Bowles and J.W. Leigh] This bookplate is rendered in a circular motif, with three escutcheons pivoting the centre. The first crest is gules (red), charged with three ducal coronet, positioned two over one, with a roundlet or (gold) at centre. The second crest has a chevronelly of eleven or and azure (blue). The third crest is gules, charged with three inverted wildcat heads on fleur-de-lis, two over one. The entire assemblage is contained within a circular pattern, with Latin name in the border. The original artist of the crest is J.W. Leigh, indicated by "Inv." at the base of the design. 87. [Bookplate for James John Joicey] This bookplate is printed on light brown paper with brown ink. It consists of an escutcheon argent (silver), and three diamonds in pale between two endorses in a crosshatch pattern. The escutcheon is charged with a pick-axe at both dexter and sinister. Above the escutcheon is a helmet, positioned at three-quarter profile, indicating the status of peer. Upon the helmet is a straight wreath, charged with a young man holding a pick-axe and lantern. Radiating from the wreath is elaborate mantling. Below the escutcheon is a banner, with Latin motto within. Entire crest is contained within a border, with name of bookplate owner at bottom. 88. [Bookplate for J. K. S.] This bookplate is executed with black ink on white paper. Inscribed are the words: Ex Libris over the initials J. K. S. 89. [Bookplate for A. W. Robertson] This bookplate is executed in dark ink on white paper. It depicts a ship with a compass-rose in the lower left corner. 90. [Bookplate for A. W. Robertson by Tom Eaglin] This bookplate is executed in coloured ink on white paper. The colours consist of varying shades of green and bronze. In the foreground there is an image of a nude man with his head resting upon his hand, as if deep in contemplation. He is sitting upon a wood-like stump which turns into the earth at the bottom of the image. This image is most likely meant to imitate "The Thinker", a statue by Auguste Rodin. 91. [Bookplate for Lyman Tower Sargent] This bookplate is executed in brown ink on white paper. In the background is a framed picture of a ship. There is also a globe and a range of books supported at each end by bookends of monks sitting and reading. In the foreground is an open book with a ink well and quill. 92. [Bookplate for Elizabeth Rogers] This bookplate is executed in black ink on crème paper, and is rife with heraldic and pictorial imagery denoting peace, freedom, and benevolence. The center image is one of peace, as it contains a great tree spreading its branches over meadows and pastures under the rays of a setting or rising sun. This is flanked by standards bearing roses. The heraldic imagery is placed above the scene of peace, as if resting on the tree. A shield in the center contains a mullet over purple in the lower half, and roses over black in the upper half. It is topped by a closed helmet out of which springs what is most likely a fox. Underneath the image of peace are three French military medals for providing aid in times of war. 93. [Bookplate by M. Trinque] This bookplate includes both a pictorial image and a heraldic symbol. The image, in black ink, depicts three soldiers in the process of laying communications cable. One soldier holds the spool of cable, another cuts the cable with pliers, and the third soldier keeps a look-out, rifle on back. The heraldic symbol, in coloured ink, contains an escutcheon divided per fess by an engrailed line. The top half is a dark shade of azure, while the bottom half is a light shade of azure. The escutcheon includes a sinister bend of blue, white, and red, representing the French flag. From the dexter chief to the sinister base are three fleur-de-lis. On the top of the shield is a torch, possibly representing Operation Torch, the Allied invasion of French North Africa during World War II. On both the right and left sides of the shield are signal flags, providing more indication that this coat of arms belongs to a communications unit. The left flag is a small red square within a larger white square, and the right flag is the reverse. At the base of the shield is a ribbon containing four stars. Below the image, there is space for entering a name of ownership, but it has been left blank. 94. [Bookplate for Edwin A. Dalrymple] This bookplate has both heraldic and pictorial qualities. Upon a heraldic crest are five mountains, in profile. Above the image is a banner, with Latin motto within. 95. [Bookplate for Johannis Platt by John Dickson Batten] This bookplate has both heraldic and pictoral qualities. The primary subject of the bookplate is a lamb, grazing in a glade of flowers, with bookplate owner's name in a banner below. In the background, the bookplate features a pen of sheep as well as a dead wolf hanging from a tree. At top-left corner, the bookplate features an escutcheon, azure (blue), charged with two fleur-de-lis and a lamb, two over one, and a chevron or (gold) charged with a fleur-de-lis and two cinque foil. Above the escutcheon is a peer helmet, with a wreath charged with a grazing lamb. Mantling radiates from the helmet, and Welsh motto is contained on one side. The entire scene is contained within a stylized border, with Welsh motto within. 96. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 97. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 98. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 99. [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969). 100. [Bookplate for Edmond Bohy] This bookplate features brown ink on thick, coated paper. The image is of a man, mouth open, wearing a feathered fedora and a shirt with a broad collar [perhaps a jester collar] within a border consisting of dots and lines. select all : clear all : add to favorites results 81-100 of 531 item(s)  page 5 of 27 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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